Please contact directly for commission inquiries and scores.
List of Works:
Einmal ist keinmal, for symphony orchestra (2025)
The INcomplete Cosmicomics; solo opera for vocalizing cellist/actor Aaron Wolff and looper; (March 20-22 2025)
Symphony No. 993; for symphony orchestra, premiere by the Buffalo Philharmonic Orchestra at June in Buffalo (June 2024, recording available upon request)
Swan Song, tenor (2024)
Shadow Song, soprano and KOMA elektronik fieldkit (2024)
I/X/III, viola and backing track (2023)
The Man who owns the Forrest also owns the Racetrack, flute, bassoon, trumpet, violin, cello and conductor (2023)
ZBYHOŇ/Mythopoeia, Choir, organ, brass and narrators (2023)
Schubert, an ensemble work for Black House Collective Workshop (2023)
To Elvedon, violin, cello and backing tracks (2022-2023)
Such and Such is Such and Such: for Petr Kotik, Ostravská banda (2022)
They’ve Been Appearing Overnight, Commission for Hats + Heels Duo (2021-2022)
Owl Mirror, a Character Piece for E-flat Cl, Commission for Andrew Friedman (2021)
The Redundancy of the Angelic, an Interluding Play for violin, viola and narrator (2020)
The Wonderland Series, an intermedia opera for solo-violinist Shannon Reilly (2018-19)
My Voice, for Ostrava choir, text by Oscar Wilde (2019)
Lying to Myself, for Wind-up Elephant toy viola and toy piano, text by Jessica Abughattas (2018-19)
Included/Excluded, for string quartet (2018-19)
Still More/More Still, for Melissa McCann soprano, choreography by Jerusha de Waal (2018)
Shadow Music, for Unheard-Of Ensemble B-flat Clarinet and Piano (2018)
Searching for Bears, for solo bassoon (2017)
Wave, for viola and electronics (2016)
Praise for The Redundancy of the Angelic: An Interluding Play
“Clearly an ambitious undertaking, Heflin hasn’t overreached; to the contrary, the precision of the assemblage results in a gripping and occasionally humorous listen” (The Vinyl District)
“one of the most adaptable releases of the year to date” (Robert Ham, Voice of Energy)
“I immediately want to hear more from Heflin. She paints a world that is both beautiful and ugly, knowing that one cannot exist without the other.” (Justin Spicer, Cerberus)
“a spine-chilling beauty” (Echoes and Dust)
Heflin’s Debut Album The Redundancy of the Angelic: An Interluding Play is out now on Infrequent Seams. Purchase the album here.
Praise For “The Wonderland Series” In Rochester City Newspaper
“Far from anything resembling a standard violin recital, the show is a dense, 33-minute fever dream in which music is fully integrated in a one-woman play that investigates numerous facets of author Charles Lutwidge Dodgson’s life and his work under the pseudonym Lewis Carroll. As narrator, Reilly examines the intellectual ideas found in Lewis’s fiction and engages in historical criticism of Dodgson as an individual. Heflin’s music for the violin is at times simple and enigmatic, and at other times abrasive and viscerally expressive. “The Wonderland Series” is an incredible watch, and is designed well for the virtual medium.” — Daniel J. Kushner
